A publication edited by Serpentine Galleries’ Hans Ulrich Obrist that examines how maps shape—and fail to fully capture—our relationship with space, knowledge, and contemporary life. Introduced by novelist Tom McCarthy, the book compiles around 130 “maps” by artists, designers, writers, scientists, and architects (including names such as Yoko Ono, Ed Ruscha, and Tim Berners-Lee), spanning hand-drawn sketches to meticulously rendered cartographies and organised into thematic sections like The Unmappable, Invented Worlds, and Redrawn Territories. It is relevant to my practice because it frames mapping as an editorial, speculative act rather than neutral description—supporting my interest in alternative cartographies, diagrammatic thinking, and how visual systems organise perception, memory, and meaning.