Tiny Splendor Press, an independent risograph studio known for sharing hand-assembled zines and artist books, and providing print and publishing services to artists from around the world. These publications use folding, layering, and physical manipulation of paper to disrupt flat image-reading, treating print as a spatial structure rather than a surface. Through interlaced visuals and page-bending techniques, they explore how perspective and movement reshape what we see, inviting the viewer to actively engage with the image rather than passively receive it.

This expanded my view of what an image can be as it’s not just a single stable frame, but a structure that reveals or hides information depending on how it’s held, moved, or looked at. This thinking directly informed my decision to slice and fold images, using perspective and hand-assembly to create a shifting visual experience for my posters and my Unit 6 Project.