Media- optical printer

This experimental work uses appropriated frames from a 1954 film and repeats them compulsively. The looping and fragmented editing disrupt the linear flow of the original narrative, creating a sense of being trapped in a repetitive, unmoving instant, much like time standing still. 

‘A sixteen-minute frame by frame
analysis of an eighteen-second sequence from a 1954 film titled The Human Jungle’ – https://extra.shu.ac.uk/transmission/papers/SUMMERS%20Francis.pdf (for a more indepth breakdown, telling the film as an alternat depication of love)