The album’s genius is in its lightness. Songs drift and breathe; performances feel natural, even offhand—Eli Fontaine’s saxophone part on the title track, for example, was recorded when Fontaine thought he was just warming up.The revelation is that political music doesn’t have to be confrontational—it can be mellow and inviting too, the province not just of radicals, but the same mixed, middle-class audiences that had been buying Gaye’s albums all along. You catch more flies with honey than with vinegar, and as Gaye seems to say on What’s Going On, you don’t have to be a hippie to be worried by what you see—you just have to be human.

(source : Apple Music)